creative journal
This is a creative journal. I will add to it as I think my way into this research and explore ideas. It is not the start of this project but it is the beginning of intensive material exploration. It will be disjoined and rambling. A collection of thoughts and problem solving that jumps from theory and academic reading, artworks I am inspired by and the materials and technology I am using. This includes the traditional such as drawing, painting and handbuild sculpture, and new technology such as digital modeling sculpting, drawing and printing.
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3/2/25
Journal 3/2/25 This the first entry of this creative journal. I will add to it as I think my way into this reseach and explore ideas. It is not the start of this project but it is a beginning. As such it will be disjoined and rambling. A collection of thoughts and problem solving that jumps from theory and academic reading, artworks I am inspired by, and the materials and technology I am using. I am learning how to use this technology as I create the sculptures. The development is driven by the ideas I am exploring and the technology I am learning how to use. It’s potential and limitations inspiring and directing what can be created. Layered, collaged 3d forms inspired by growth and life forms. Printed in pla Embedding electronics that sense, detect, feel interactions with human participants. Responding to the complexity of life and illuminating the lie of human exceptionalism. The first sculpture “Sensitive growth” has proximity sensors that produce a trigger and echo reading. The sculpture I have been working on the last few days will be connected to a playtronica midi synthesiser. I am experimenting with printing with conductive pla. When connected to the playtronica, the participant touches the conductive elements and a programmed sound is produced. These sounds can be recorded from a variety of sources, natural, like plant stems breaking, grass rustling, rocks tapping on each other, waves, or dripping water, voices, bird calls. They can be synthesised sounds, like musical instruments. The challenge is creating a connected form that feels intergrated. That includes, but does not conceal its mechanical elements. Modeling and creating a sculpture that encourages curiosity and touch. Conductive pla is $45 for 200 grams. Conductive filament is expensive, so requires careful use. This experimentation will begin with creating elements of the design that are conductive and connected to the playtronica. Also a form that the human participant touches or holds so as to complete the circuit. The participant is part of the artworks electrical circuit. Managing 3d scans of natural forms and 3d modeled forms in auto desk fusion 360 is its own steep learning curve. Managing the files that can then be printed on printing bed of 22x 22x 22 cm. Anthything larger than that needs to be made in sections. Pla is a good material, at $39 a kilogram it is quite affordable as an art making and prototyping material. It needs to be managed, stored and disposed of appropriately. Industrial composting. Conductive pla is $45 for 200 grams. Conductive filament is expensive, so requires careful use. Artworks that I sell, or supply for others will be printed in PHA, which can biodegrade in any environment including garden composting and the marine environment. It will not be a burden on the environment. It is fairly expensive at $97.75 for 750 grams and imported from the Netherlands so carries a burden of carbon miles.
5/2/25
Journal 5.2.25 The prototype for this sculpture is clear and Matt black. The playtronica has small embedded leds that will be visible within the translucent forms. Colour Should this sculpture be coloured? Material texture, material Colour Fungi, coral, flowers organisms have colour. Colour means things. Attracts pollinators, warn away, signals danger. Visible in different light ranges. Filament printing. Layered built up, deposited organic matter. Mirroring the layering of nacre, silk, chrysalis. Extruded organic matter. The transparent filament make translucent forms. I trying different print profiles (setting within the printer software) to manage the print, increase its transparency. Thicker walls, slower deposits, higher temperature. The needs to encourage touch, its shape and texture entice, it then needs to be robust enough to handle that contact.
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6/2/25
Journal 6.2.25 The book I ordered has arrived, ”lets become Fungal! Mycelium teachings and the arts” by Yasmine Ostendorf- Rodriguez 2023. Nice cover art and illustration of fungi in watercolour. Fungi is am important element of this project. Im wondering if it is worth actively attempting to reproduce the look of fungal elements in digital printing to develop a vocabulary of forms and texture to use. Another book I’m reading is “Anthropocene, Capitalcene, plantations end. Chthulacene: making Kin” Donna Haraway 2015. I can hear my printer whirling, growling, humming as it lays down filament, making forms while I write. How this can I make these forms. I have noticed that when the objects get too thin they fail to print. The hot end that extrudes the filament is .4 of a mm. Can I print that width? The support structures are that fine and very translucent. Ill try it out.
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7/2/25
Journal 7.2.25 Thinking about robots/sculptures inspired by sea creatures, worms, mollusks. something that is beautiful, lively colourful, that when it detects the human viewer hides away, quickly retracts to later emerge as the viewer moves away. The human enters a space full of moving delicate structures that retract leaving a series of dull earthy tube/columns as they get near. I can program an arduino to respond to a proximity detector and control a servo motor, lifting and retracting the forms. I need to design a mechanism where the head/ feelers/ feeders, retract safely and smoothly, not catching or jamming, into their tube. Maybe print in place moving parts. I have been working on some drawings. Ill start working on some design in fusion 360. Another idea is modelling fungi using printer software. I am not interested in creating reprsentational forms, but the modelling of these forms is a great way to learn about what can be done with bambu lab generative software as a collaboration.
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7/2/25
A few ideas today. Bioluminescent fungi and other organisms. There are pla filaments that glow in the dark or under uv light. a translucent form would be camouflaged in a gallery environment. in corners, the base of pillars, on the ceiling. But if the light goes out or fades gently, they would come to life. pen filament extruders could trace a trail across wall connecting the sculptures like mycelium, as black conductive filament and as invisible until the light goes out glow in the dark.
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20/2/25
I am considering a series of botanical style watercolours as a way of documenting and exploring organism and natural form inspiring sculpture production and then similarly recording the sculptures made. including them and their electronic components as if they were botanic specimens
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21/2/25
lots of ideas to get down. I am writing an article reflecting on Linda Candy's study on the types of relationship artist have with digital technology "Tool, medium, mediator, partner." and how this plays out in my research project. It is easy to see tool, and medium when I consider the digital sculpting and 3 d printing. mediator is also present as the interactive electronic elements in the work enable the experience and determine the type of experience i can create. It is in the discussion of partner that interesting ideas arise. I'm using á bambu lab printer. Its software generates fractal trees to support the filament printing of forms I design. Fractal trees are the structures that naturally develop in the world, be in blood vessels, plant growth or fungal growth. I am currently working on some sculptural forms that incorporate the generated fractal trees as part of the sculpture by designing an element of the sculpture (at this point an external curved surface), and using the software generated fractal trees as an integral part of the work. I am currently printing test pieces with conductive filament and midi software and hardware "playtron" to make sculptural elements make sounds as they are touched. I have a filament pen with the idea of tracing conductive lines and structures to connect led lights and sound generation with sculptures.